Pick & Mix but for filmmaking

You bring the idea - or just the itch that some filmmaking can scratch - we take it from there. Start-to-finish. All the way. The whole shebang. Scripting, planning, crewing, shooting, and cutting it into something you're proud to put your name on. A sixty-second brand film? A multi-day documentary? Maybe treat yourself to a full-on feature! Whatever your flavour, the cooking process is the same. Start with the right chefs (that's us) and you'll be eating a beautiful film in no time.

That metaphor got weird, didn't it? We make really tasty films, basically.

Conferences, events, talking heads, brand films, pop-ups, charity football matches, your weird uncle's heavy metal night. You name it, we can film it. Sometimes it's just a single person and a camera for an afternoon; sometimes it's a three-person unit for a full conference day. We could have as many camera people as you want. Push the boat out. Either way, we plan around your needs, so when the moment happens, the camera's already rolling. Need it fast? We can turn same-day cuts around for socials or we can archive it, never to be seen again - it's your footage at the end of the day.

Twenty-odd years behind a timeline. We cut from your footage or ours: find the story in the rushes, tune the pacing, and deliver every format the campaign, film or commercial needs — master, verticals, cutdowns, outtakes, selected A-roll, selected B-roll - whatever the format, we have you covered. This is arguably the most important part of the process, and there are no safer hands than ours. Except maybe David Seaman's, but that's not really fair, is it?

The part nobody notices until it's missing. We can match multi-cam footage, crank up the contrast on a bland-looking advert and deliver it to broadcast, web and cinema standards. We grade all our own work and take on outside projects too - if you want to supply the footage, get in touch to see how we can make a mark on your project with a look that turns heads.

Audiences forgive soft focus long before they forgive inaudible speech. We clean up dialogue, build the sound around it, and mix to loudness standards that won't get it rejected by a broadcaster. Speech first, always. Then everything else earns its place. We also have a team of composers and sound designers if you're in the market to give your production some extra punch.

Title sequences, motion graphics, compositing and cleanup. Animated logos and idents, data and explainer sequences, screen replacements and rig removal - all built to sit inside the graded live-action. Or you can go with some hand-drawn stuff. We're not your dad.

Stills with the same eye as the films. On-set photography, corporate days, workshops, portraits, event coverage, press images - plus drone work for the shots a ground-level camera can't reach. Colour-matched to the film assets so the whole campaign reads as one. The only thing we don't do is weddings. Too stressful.

You've wrapped production, had the final cut locked, but before everyone gets too carried away, remember - the film is only half the job. Titles, thumbnails, end cards, social cuts - the stuff people meet before and after the film itself. We design all of it to match, so the project ships as one piece of artwork instead of five different deliverables in a trench coat.